news, Science Fiction

Space Brides Blurb and Cover Art!

Today I’m happy to announce that the upcoming Wolf Singer Publications anthology Space Brides is slated for a December release! I’ve seen the proofs and can now happily share with you the final cover art!

Prompts can be funny things. I’d usually be put off by a prompt as specific as this one, but somehow the idea of a matchmaking agency that serves a spacefaring humanity as it spreads through the solar system worked for me. It sent my brain to a fairly weird place as I tried to imagine the ways marriage might evolve in such a setting. I had a lot of fun writing my entry, Runaway Bride, and I’m so happy it was accepted.

If a diverse cast of science fiction characters finding love in strange new places sounds like something you ‘d be interested in, then please keep an eye on this site! I’ll be posting updates as I get them.

news

A Review of Terrors from the Toybox!

Phobica Books have posted on their Facebook page that a review on Terrors from the Toybox has been posted by Alpha’s Court! Check it out here.

Just looking at their main page, it looks like Alpha’s Court really know their horror. That’s why I’m so flattered to have an entire paragraph of their review devoted to ‘Enid’s Dollhouse’ and how “absolutely terrifying” it is! Three of Toybox‘s authors have been given a spotlight and I’m thrilled to be one of them.

I horrified someone! I’m so proud!

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My Terrors from the Toybox Author Copy is Here!

It’s that time again… the part of an anthology’s publication when I get to hold a copy of the book in my actual hands! That’s right: Terrors from the Toybox is now available in both Kindle and paperback formats, and my author copy has arrived!

I think I’ve mentioned before that there’s no feeling quite like this. My brain-baby is out there, on actual pages that, just maybe, someone is reading right now!

Yes, I’ve done this before. But it just never gets old!

I’ve been reading some of the other stories in Terrors, and I can say without (too much) vanity that there is some brilliant writing in here. So, if you’re looking for some short fiction to get you in the Halloween spirit, consider giving this one a try!

Writing Advice

Writing Advice: Shut Up and Write the Damn Thing: Inner Cheerleader

Much of my writing advice falls under the umbrella of “shut up and write the damn thing,” so this entry will probably develop a few sequels in the future. For now, though, I’m talking about first drafts.

They will suck. They’re meant to. Accept that and write them so you can move on.

This is a trap quite a few writers, myself included, have fallen into; hmming and hahing over your first draft, trying to make it perfect when all it needs to be at this stage is done.  You can spend hours agonising over…

.. Wait. Should I have used “agonising” there? Bit cliched, isn’t it? Should I say “obsessing” instead? Eh, that seems a bit flat. What about “vacillating”? Wait, do enough people know what “vacillating” means? Do I know what it means? Maybe I should look it up…

Don’t. Put the nearest word you can think of, and trust that Future You will notice if it’s wrong.

Trusting Future You is a big part of getting your first draft done. But you can do that, right? I mean, they’re you. The only difference is, they’ve done slightly more writing than you have and they’re slightly better at it.

I do keep having problems with this, because whatever I’m writing tends to percolate in my brain for a while before making it outside. This means I’m often transcribing whole passages that arrive fully-formed after bubbling away in my subconscious, so when I reach a part that isn’t already formed and that I have to compose using my actual waking brain, it can feel like rushing headlong into mental quicksand. But I’ve found over time that squirming free of that quicksand can be as simple as remembering one thing:

If you have something, you can make it better. If you don’t, you can’t.

What you need to do at the first draft stage is send your Inner Critic home for the day. His time will come. For now, you need your Inner Cheerleader. Train up the voice in your head that celebrates the act of simply making progress.

“You wrote a thousand words today? Well done you! Hey, you know what? I bet you could do it again. Then you’re ahead on tomorrow, right? Hey, you did it! You’re a star! Think you can do just a couple hundred more?”

(Important note: you may be ahead on tomorrow, but when you actually get there that word counter resets to zero. Your Inner Cheerleader’s job is to keep you writing.)

Now, doesn’t that seem a little more productive than all that obsessing (worrying? Brooding?) over a single word back there?

The point is to forget the pressure of making it good in favour of getting it done. So train that cheerleader voice, trust your future self, and remember, you’ll make it better later.

Above all, just shut up and write the damn thing.

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Terrors from the Toybox

I’m happy to announce my inclusion in Terrors from the Toybox, an upcoming horror anthology from Phobica Books! The anthology is due on the 1st October (in good time for Halloween!) and will be available to buy from Amazon. A great gift if you have a tradition of gifting people horror fiction for Halloween, and I’ve certainly heard of worse ideas.

Enjoy this cover art and title page illustration, courtesy of Phobica’s editing and publicity teams. I think someone had a lot of fun creating these. Seriously, how brilliantly creepy are they? Yeah, those are just old toys spilling out of a trunk… but then you see that clown. Somehow, for me the smiling clown in the attic is creepier than the jack-in-the-box below. It’s that smile. THE CLOWN KNOWS THINGS.

It’s always exciting to be accepted in an anthology. In a totally cool and professional way… someone likes my writing who isn’t my mum! They like it enough to put it in a book! Check it out: I’m on their Author Bios page!

Toy-themed horror is definitely fun to write about; specific enough to give a feel for what they want, but open enough to leave plenty of leeway. I can’t wait to see what everyone else has done with it, and I’m proud to say that my entry, ‘Enid’s Dollhouse,’ wouldn’t be out of place on Supernatural.

October can’t get here fast enough!

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Stockholm Writers Festival 2023

Another month over and guess what! I have some actual news! This month I went to Stockholm to attend the Stockholm Writers Festival. If you’re a writer, and you don’t do writer events, then I strongly recommend giving them a try (and if you do, you can do a lot worse than going to Stockholm).

Seriously, the SWF was founded because Stockholm-based writers were sick of having to travel abroad to attend literary festivals, yet writers flew in from as far away as Texas, and I was not the only Brit.

We were encouraged to add shiny things to our badges

Guest speakers included literary change agent and author advocate April Eberhardt, Golnaz Hashemzadeh Bonde, author of What We Owe, American authors Johnny Shaw (whose ‘Write what you Don’t Know’ seminar I attended) and Jeff Bens, Liv Maidment from the Madeleine Milburn Literary, TV & Film Agency and Stephen King aficionado Hans-Åke Lilja. So that’s a pretty varied roster of people, not to mention other industry experts who popped up throughout the weekend.

If you do attend events like this, then I won’t need to tell you about what I’m calling the Writer Critical Mass Effect. For everyone else, what happens is that you get a large number of writers together who are suddenly aware that, hey, we don’t have to pretend to be normal! Everyone here is just as strange as I am! Everyone else’s search history is just as worrying as mine!

A hundred or so people who are usually somewhat isolated all start vibing together about the thing that typically isolates them, and a strange energy starts to build. I do attend a local writer’s group, so I was definitely aware that hanging with other writers and getting to relax a little is fun. But this was a much larger, more diverse group of people than I was used to, and I learned that enough writers vibing together with a high enough level of excitement form a sort of hive mind. Strange but true. Seriously, fellow writer-folks, find yourself an event and try it for yourself.

Writing Advice

Writing Advice: Dealing with the Competition Wait

So you’ve just entered a competition. For weeks now you’ve been lovingly tweaking and sculpting your short story, poem, screenplay, or whatever until it’s the best version of itself you can possibly manage. You’ve checked and rechecked your cover letter, made absolutely totally sure that you’re sending in the right version of your baby, and now it’s winging its way into the big wide world of literature.

So now what?

I said “competition” up there, but this applies whether you’re sending a poem to a competition, a story to a magazine or a submission package to an agent or publisher. Whichever way, it’s the same thing; for better or worse, you’ve done everything you can, your part in events is over and all you can do is wait until the judges get back to you (or, more often, until enough time has elapsed that you can assume you haven’t won). Whatever you’ve submitted to, you now have a long, agonising wait until you know if your entry has made it through. So how do you cope with the weeks of suspense?

Simple. Forget it and do the next thing.

Write another story. Find another competition. Dig out an unfinished project and see if you can revive it. Do the next thing. What you did yesterday doesn’t matter. What are you doing today?

I’m not saying forget it entirely. You’ll probably want to record somewhere what you’ve submitted, where to, and when you expect a reply. I have a spreadsheet and a separate folder for anything currently under submission. It’s good to check these things once in a while, to avoid missing the opportunity to submit that story elsewhere. I like to have a few submissions out in the world at any given time, so it’s nice to have that information available.

(Plus, I would definitely forget what’s gone to where and do something stupid, like send the same story into the same competition three years in a row, if I didn’t.)

Focusing on other projects will also distract you from the uncomfortable truth that the odds are sadly not in your favour. Fun as it is to fantasise about the respect and validation you’ll get from winning, and what you’ll do with the prize money (not that you care about such things, for you are an artist, amirite?), writing is a harsh business. The rejection rate is something like 97%. That’s not encouraging, but the alternative is never to submit anything.

The more stuff you have out there, the less each individual rejection will sting. So keep submitting, enjoy your fantasies of winning (but don’t get too invested), and above all, keep writing. The next thing ain’t happening by itself.

Writing Advice

Writing Advice: When You Really Do Have to Stop for A While

Thought I’d update the photo. Enjoy!

Most writers will tell you – and it’s true, today’s column notwithstanding – that you can’t accept excuses from yourself not to write. Writing is not something you do “as inspiration strikes,” it’s a habit you must cultivate. You must keep showing up, even when you don’t really want to, if you intend on making any serious headway. If you want to actually be good at writing.

All of that is true. However, there are also times when you really do have to take a break.

This winter and spring, I was on a decent creative roll. Then in April, after dodging the bullet for three years, I got hit with Covid.

Now, reactions to Covid fall across a very wide spectrum from “didn’t notice” all the way up to “died.” Mine was about in the middle. I wasn’t in any serious danger, but basically everything I was doing besides “being sick” came to an abrupt halt.

Imagine riding a bike downhill. It’s so easy you don’t even have to pedal; you just freewheel it. Your feet aren’t touching the pedals, the wind is in your hair and you feel amazing. But then, something happens. Some arsehole throws a stick into your bike wheel and you go over the handlebars. You’re upside down on the pavement with a bike lodged in your thorax, most definitely not riding.

During those couple of weeks, my energy budget was slashed to the bone. Lying around watching Pixars from a sofa nest was in the budget. Calling 111 and chatting to the nice doctor about paracetamol and throat sprays was in the budget. Writing? Not so much. So I decided to save my energy for getting better, and officially put the writing on hold.

But the story doesn’t end when my symptoms cleared up. Because after Covid, there was good ol’ Long Covid Brain Fog. It makes sense; the brain is an energy-hungry organ, and Covid is an energy-draining illness. It does make sense that a bout of Covid would put your brain on energy-saving mode for a while, and that non-vital applications like “making shit up and then prettying it for others to enjoy” would be suspended for a while.

Seriously, when I think back to how I felt in January to March, it’s like I was flying. And I can’t remember how I got up there, but I need to figure it out, because I know a big part of the problem is that I did, in fact, stop. Whatever the reasons, I made that decision, and now nudging my brain into working properly again is up to me. I’m doing that by signing up to every writing competition I can find that’s remotely applicable to me and challenging myself to write something for each of them no matter how uninspired I feel. I think it’s working; I’ll keep you posted.

So I guess the takeaway is that, however committed a writer you are, there will come a time when you do have to take a break. But in taking that break, you need to be aware of the other side of the coin; recultivating the habit. Accept from the start that at some point, you will have to extract that bike from your midriff, peel yourself off the pavement and get riding again.

Writing Advice

Writing Advice: She Said, Adverbedly

I feel like, if you give writing advice, somewhere you have to mention adverbs. It’s like a requirement, you know?

I had no idea how controversial adverbs were until University. One of my tutors had posted a helpful grammar guide that I now wish I’d control+C’d and saved somewhere. For one thing, I’d be able to quote directly the part that went something like, “Now, I know you’ve all been told in school to never, ever even think of using an adverb…”

This is where I looked very confused, because I had heard no such thing.

To be fair, I moved around a lot as a kid, so maybe I just missed the ‘ADVERBS: DO NOT’ talk every time, but I’m pretty sure they were introduced as just another kind of word. I’m sure there are people who will absolutely die on the Adverb Hill, but I’m pretty sure that to most people, adverbs are fine as long as you only use them as they should be used, and that sparingly.

A verb is a word for an action. An adverb is a word that describes the action. Thus, in the sentence, “She slept soundly,” “slept” is the verb while “soundly” is the adverb.

An adjective describes a noun. An adverb modifies an adjective. Thus, in the sentence, “The biscuit was somewhat stale,” “stale” is the adjective while “somewhat” is the adverb.

An adverb can also modify another adverb. Thus, in the sentence, “He checked his answers very thoroughly,” both “very” and “thoroughly” are adverbs.

Clearly, adverbs exist for a reason. However, Stephen King said, “The road to Hell is paved with adverbs,” Anton Chekhov advised writers to “cross out as many […] adverbs as you can,” and Mark Twain declared himself “dead to adverbs.” We can probably assume those folks know/ knew a thing or two about writing, so what’s the problem?

The main issue people have with adverbs is that they can usually be cut out altogether by trading in the word you’re modifying. For example, “He walked quickly” can become “He hurried,” “He hustled,” “He fled,” etc. Notice how these are not only quicker to read, they’re also more interesting and, sometimes, give an idea of what’s happening. Similarly, “The light was very bright” becomes “The light was blinding.” Even in the adverb-on-adverb example above, “very thoroughly” could be “meticulously” or “obsessively.”

Brilliant as this may be when you’re making cuts to fit that wordcount you’re already pushing, it does have the effect of rendering the adverb as, “that thing you do when you can’t think of a better verb.” This does not add to its perceived coolness.

It doesn’t help when people misuse adverbs by throwing them in where they don’t add anything. Don’t say, “She laughed happily,” because laughs are usually happy; the fact of laughter makes us assume happiness. Adverbs should tell us something we wouldn’t assume from the word being used. Go ahead and tell us she laughed “bitterly,” “sarcastically,” or even “nastily,” though. That’s new information; it challenges the assumption we made when you told us she was laughing.

The bottom line is this; as a writer, every word you use needs to be there for a reason. If deleting your adverb doesn’t change the meaning of a sentence, it’s clearly not earning its place and needs to go.

So that’s adverbs done. Phew. I’ll do something fun next time, I promise.

Writing Advice

Writing Advice: Make it Easy for Them

This time I’d like to get into some of the practical, nuts-and-bolts aspects of the writing business. Because, sad to say, writing is a business, and that means you have to deal with other people. Whenever you submit a story to a magazine or a competition, remember that you’re also sending it to a human being. A human being who probably has hundreds of submissions to go through.

Get on their good side early by making it suuuuuuper easy for them.

Start with your manuscript’s presentation. Tempting as it is to make your entry stand out with a weird font or something, at best that’s going to be annoying. At worst, your entry may be unreadable because whatever you’ve done is incompatible with their software. Avoid this by saving your creativity for the story itself and use the Schunn layout. Many submissions guidelines ask for Schunn anyway, but even if they don’t specify, you can’t go far wrong with this.

(Obviously, if a deviation from Schunn is necessary for your story, say if you’re using the text layout to create a shape and it won’t make sense otherwise, then go ahead and do that. Yes, I know, but artistic license. Otherwise…)

The only reason to deviate from Schunn is if the submission guidelines specify a different method. You DID check the submission guidelines, right? If not, go back and reread the title of this post. You’re trying to make things easy for whoever reads your entry, and the submission guidelines are where they’ve helpfully told you how to do that. If they want a particular font, use that font. If they want your entry double-spaced, double-space it. If they want your text embossed in flashing violet with sparkle effects… you get the idea. It’s their publication; they know what they want.

Competitions are often judged anonymously, so they’ll ask you to remove any identifying information from your document. If you’ve used Schunn, that means removing the name and address from the title page, as well as your name from the page headers. You’ll also want to remove your name from the document title (more on that later). The competition guidelines will often state that any entries that aren’t anonymous will be deleted. Assume they’re not kidding, and leave all your identifying information in the cover letter, which usually needs to be in the body text of an email.

Now, document titles. I think we can imagine how annoying it would be to try and find that one story you really liked out of a hundred documents all titled “Submission.” To avoid this, the guidelines will sometimes give you a specific format to follow, e.g. “[Your Name] [Story Title]” or “[Publication Title] [Story Title]”. If they specify a format, follow it. Otherwise, I usually use one of the two listed above, depending on whether judging is anonymous or not. Either way, your story title should be in the file name somewhere, just because it’s a lot easier to find that one story with dragons if you can tell, at a glance, which stories are likely to feature dragons. What are we trying to do here, folks? That’s right; make it easy for them!